1、艾伦·拉德,菲利丝·卡沃特,保罗·斯图尔特 主演的电影《与危险有约》来自哪个地区?
爱奇艺网友：电影《与危险有约》来自于美国地区。
2、《与危险有约》是什么时候上映/什么时候开播的？
本片于1951年在美国上映，《与危险有约》上映后赢得众多观众的喜爱，网友总评分高达7317分，《与危险有约》具体上映细节以及票房可以去百度百科查一查。
3、电影《与危险有约》值得观看吗?
《与危险有约》总评分7317。月点击量135次，是值得一看的剧情片。
4、《与危险有约》都有哪些演员，什么时候上映的?
答：《与危险有约》是1951-05-09上映的剧情片，由影星艾伦·拉德,菲利丝·卡沃特,保罗·斯图尔特主演。由导演刘易斯·艾伦携幕后团队制作。
5、《与危险有约》讲述的是什么故事?
答：剧情片电影《与危险有约》是著名演员艾伦· 代表作,《与危险有约》免费完整版1951年在美国隆重上映，希望你能喜欢与危险有约电影，与危险有约剧情：When ruthlessly dedicated postal inspector investigates the murder of a co-worker, he finds that the sole witness, a nun, has been targeted by the killers
An Alan Ladd vehicle, APPOINTMENT WITH DANGER ostensibly soups up its noir-ish template with the involvement of a virtuous nun, Sister Augustine (a guileless Phyllis Calvert), who becomes the sole witness of a foul play and whose own life is threatened henceforth.But, that précis could be misleading, what in fact isset in motion is a rote cops-and-robbers procedural, lead by the hard-boiled postal inspector Al Goddard (Ladd), infiltrating himself into a criminal clique conniving to operate a stick-up of one million dollars in transportation by the Postal Service.
Yes, the film is an explicit encomium of USA’s Postal Service, and at first glance, this infotainment seems to spirit us way to a new territory, the lives of postal inspectors, the covert law enforcers whom the mass knows little of, but what ensues proves that the filmmakers have no intention to burrow deeper into that front, here we are in the well-trodden path, an all-too-smart Al, outwits the crooks in a slipshod heist, saddled with an even less plausible last-minute whim of press-ganging Sister Augustine into the fold to imperil our hero.
Contrary to its sub-standard action goings-on, what director Lewis Allen manages to hammer out is those alluring shots of nightly scenery, creating a taut and sinister vibe which chimes in with Film Noir’s tenor. Also, at least this time, we are tantalized by a sinewy, half-naked male bod in a handball game than the usual distaff equivalent, ruling out a wimple-clad Sister Augustine, even the moll Dodie (Sterling, always a magnificent scene-stealer), intuitively knows not to meddle with lawbreakers’ business and timely finds herself a fallback position.
Roundly eclipsed by its more influential and well-crafted peers, like John Huston’s THE ASPHALT JUNGLE (1950) orKubrick’s THE KILLING (1956),APPOINTMENT WITH DANGER at least offers a stage for a short-statured Ladd to emulate a straight-up, gallant daredevil of a hero with pizzazz and conviction, especially when he is able to outmaneuver the murderous thug Joe Regas (Jack Webb, casting every glint with menace and intensity) every time.
referential points: Lewis Allen’s THE UNINVITED (1944, 6.9/10); John Huston’s THE ASPHALT JUNGLE (1950, 7.9/10); Kubrick’s THE KILLING (1956, 8.2/10).
